Like many cities coming out of the downturn, Orlando is jonesing for a recovery. To promote a sense of new prosperity, City Hall leaders recently added eight works of art to its downtown core, amidst much fanfare. Before we start whistling “Happy Days Are Here Again,” however, we would do well to examine the circumstances of this renewed interest in public art. Its surprising return was trumpeted as a new way to enrich the city and benefit its residents; many, including this author, applauded the effort. This has certainly happened. But has the result been a barrier, as much as a connection, to its citizenry? read more »
